Tag: film

Private Preview Screening of Erik Knudsen’s Cleft Lip

Keith French, Janet Knudsen, Erik Knudsen, Reece Douglas and Miranda Benjamin

Keith French, Janet Knudsen, Erik Knudsen, Reece Douglas and Miranda Benjamin at the cast and crew preview screening of Cleft Lip at the Vue Cinema, Salford Quays.

On the 11th November 2017, we were able to show the completed feature film by Erik Knudsen, Cleft Lip, to cast, crew and a few friends. The film stars Reece Douglas, supported by Miranda Benjamin and Keith French. Sponsored by Leica Store Manchester, the screening took place at the Vue Cinema at Salford Quays, Manchester. We were so excited to have the members of the team watch the film for the first time and reactions were overwhelming. The film looked and sounded great on the big screen, and for many of the cast this was the first time they had seen themselves on a big cinema screen. The screening was followed by a wine reception.

The film is now being entered into prominent festivals around the world and we expect a host of screenings at some of these festivals during the first 7 or 8 months during 2018, before the film is then released later in the year. More news on this later.



StoryLab Cuba 2017 Workshop

Unfortunately, the StoryLab Cuba Workshop for 2017 has had to be cancelled. Erik Knudsen is hoping to run the workshop again in November 2018.

The StoryLab Cuba 2016 Workshop was a special workshop. During the Workshop period, Fidel Castro died and the country was in mourning. This was an experience for all the participants and added a special aspect to the experience of being in Cuba developing personal stories.

StoryLab Cuba 2016 Workshop Participants

StoryLab Cuba 2016 Workshop

StoryLab Cuba 2016 Class Session

StoryLab Cuba 2016 Workshop Participants at Castro's Wake

StoryLab Cuba 2016 Workshop Participants at Castro’s Wake

Erik Knudsen in Havana

Castro's Wake in Havana

Castro’s Wake In Havana



Cleft Lip Production Process: a director’s perspective

We’re into the editing process for Cleft Lip and it’s interesting to look back briefly at the production process – which seems like such a long time ago. Robyn Keetley, a 2nd year student on the Creative Media Production course at Brooksby Melton College, was commissioned, as part of an assignment for her course, to make the next in our series of short production documentaries looking at the director, Erik Knudsen’s, perspective on the production process.



Erik Knudsen’s Feature Film Cleft Lip Now In Production

Principal photography of Erik Knudsen’s new feature film, Cleft Lip, starring Reece Douglas and co starring Miranda Benjamin and Keith French, started on the 13th January 2017.

Shooting is going very well and is on schedule. To keep up with developments, visit our Facebook page or Twitter.

Miranda benjamin prepares for a take during the shooting of Erik Knudsen's film Cleft Lip.Miranda Benjamin and Reece Douglas wait for their shot during shooting of Erik Knudsen's film Cleft Lip.

Reece Douglas and Miranda Benjamin surrounded by crew as they wait to do a take during shooting of Erik Knudsen's film Cleft Lip.Reece getting ready for bedroom shot

Erik Knudsen giving Reece Douglas direction during the shooting of his film Cleft LipMiranda Benjamin and Reece Douglas listening to Erik Knudsen during shooting of Cleft Lip

Production designer Meriel Pym takes a break during shooting of Erik Knudsen's film Cleft Lip. Mark Duggan explains a shot to Erik Knudsen during the shooting of his film Cleft Lip.

Erik Knudsen giving direction to Nenaa-Jo Uraih during the shooting of his film Cleft Lip.Erik Knudsen and Reece Douglas listening to a run through on set during shooting of Cleft Lip.

 

Sound recordist Karen Lauke takes notes during shooting of Erik Knudsen's film Cleft LipKeith French trying on a suit for his role in Erik Knudsen's film Cleft Lip.



Cleft Lip Production Team Meet For First Production Meeting

Stars and production team for Erik Knudsen's forthcoming feature film, Cleft Lip.

L to R Karen Lauke (sound), Mark Duggan (Assistant Director/cinematography), Shemin B Nair (Production Assistant), Erik Knudsen (producer, writer and director), Miranda Benjamin (actress), Stuart Samuels (special effects), Reece Douglas (actor), Kane Rattray (Sales and Marketing), Keith French (actor), Richard Mulhearn (stills photographer), Janet Knudsen (producer) and Meriel Pym (Production Designer).

Erik Knudsen and Janet Knudsen were pleased to be able to host the first Cleft Lip production meeting. The stars of the film had an opportunity to meet the key production team and visa versa. It was a whole day’s meeting, which started with general introductions where people were able to share past experiences. Erik Knudsen then held a screening session where he showed clips of films from filmmakers who have influenced his approach to filmmaking. Inevitably, they included extracts from films by Ozu (Equinox Flower), Dreyer (Gertrud), Bresson (L’Argent) and Tarkovsky (Mirror). It is fair to say that the cast in particular were not familiar with these filmmakers and it offered Erik Knudsen a chance to contextualise and discuss intentions for Cleft Lip.

This section was then followed by a leisurely lunch where Kane Rattray led a discussion about how the project is using social media as a first stage of a distribution strategy. Cast and crew, of course, will be central to participating in the promotion of the project even before the film starts shooting. The team also discussed how the project will be documented as a creative process.

Actors left after lunch and the afternoon was devoted to a scene by scene discussion of key creative, technical and logistical challenges. A rough schedule was also put in place.

On the basis of this most productive day, everyone in the team now has a clear idea of what needs doing and by whom and we can now go away and start work in earnest on pre-production creative, technical and logistical preparations.

As Gagarin said: ‘let’s go!’



Keith French Joins Cast for Erik Knudsen’s New Film, Cleft Lip

Keith French to appear in Erik Knudsen's forthcoming feature film, Cleft Lip.

We’re very pleased to confirm that Keith French is to join the cast for Erik Knudsen’s forthcoming feature film, Cleft Lip. Keith has a wealth of experience as an actor in corporate and commercials, as well as considerable stage and entertainment experience, and is venturing into a first feature film. He joins Miranda Benjamin and Reece Douglas and a range of other actors. More on Keith and his involvement to follow.



Reece Douglas and Miranda Benjamin to play leading roles in Erik Knudsen’s Cleft Lip

We have been busy casting for Erik Knudsen’s latest feature film, Cleft Lip, which goes into principal photography in January 2017. Though the casting process for the 43 parts in the film is ongoing, we are pleased to announce that Reece Douglas and Miranda Benjamin will be starring in Cleft Lip.

Reece Douglas to play Campbell in Erik Knudsen's Cleft Lip

Reece Douglas to play Campbell in Erik Knudsen’s film, Cleft Lip.

Reece Douglas is to play the leading role, Campbell. He is an actor based in Manchester, who is best known for his role as Denzil Kelly in the school drama, Waterloo Road, from 2009 until he was killed off in 2012. He has been acting and performing since the age of 12. Acting is his passion but in his free time, Reece enjoys a variety of sports.

Miranda benjamin to play Jaz in Erik Knudsen's film, Cleft Lip.

Miranda benjamin to play Jaz in Erik Knudsen’s film, Cleft Lip.

Miranda Benjamin is to play the leading support role, Jaz. She is an accomplished actress, dancer and singer. She has numerous credits to her name for both stage and screen, including Til Death Do Us Part. Miranda trained at the Salford School of Music, Media and Performing Arts. She enjoys sports and cocktail flairing!

We’re excited to have Reece and Miranda onboard. Attaching the actual actors to the project starts to bring the screenplay alive and we look forward to the presence that both Miranda and Reece undoubtedly will bring to the story of Cleft Lip.



Happy New Year 2016

Happy New Year 2016. I hope you have a year of peace and love.

We here at One Day Films have had a busy 2015 and are very much looking forward to 2016, where we have new projects and activities planned. In 2015, Erik Knudsen and we at One Day Films were engaged in quite a few things. Some of these highlights included Erik Knudsen moving in March 2015 from being a Professor of Film Practice at the University of Salford to being a Professor of Visual and Digital Culture at Bournemouth University, where he is setting up a Centre for Film and Television Research (He still live in the North West of the UK, where One Day Films is based). As part of this move to Bournemouth University, his Arts and Humanities Research Council funded project, StoryLab International Film Development Research Network, also moved to Bournemouth University and it was formally launch in September 2015 with a visit from the project partners based in Malaysia, Ghana and Colombia. This is a project which, over the next two years, will explore the development of independent cinematic storytelling in Malaysia, Ghana and Colombia.

StoryLab Research Network Team Visiting Erik Knudsen at Bournemouth University.

StoryLab Research Network Team Visiting Erik Knudsen at Bournemouth University.

This project is in part on the back of Erik Knudsen’s interest in independent film, particularly world cinema, and in April 2015 a book chapter he wrote called Dependencies and Independence In British Independent Film was published in the book Independent Filmmaking Around The Globe (University of Toronto Press). He is looking forward to his forthcoming journal article, The Total Filmmaker – Thinking of Screenwriting, Editing and Directing As One Role, which is due to be published in the Australian academic journal New Writing.

An extension of Erik Knudsen’s academic work includes his visiting Professorship at the Escuela Internacional de Cine y Television in Cuba where he goes every year to conduct a workshop. This has now settled down to being a regular StoryLab Cuba workshop and this year he had seven wonderful students with whom he worked over a two week period developing their creativity and storytelling.

StoryLab Cuba 2015 Participants

StoryLab Cuba 2015 Participants.

As usual, Erik Knudsen loves going to Cuba, not only to work at one of the best film schools in the world, but to visiting friends, taking photographs and being inspired:

Cuban men having a laugh in Havana

Cuban men having a laugh in Havana.

Taxi waiting to take you into there Havana Night

Taxi waiting to take you into the Havana night.

Of course, the previous year, 2014, Erik Knudsen published a book based on an exhibition of his Cuba photographs entitled Cuba In Waiting.

2015 was an exciting year for One Day Films. First we released Erik Knudsen’s The Raven On The Jetty. It showed in a number of cinemas in the UK and in addition to being available directly via One Day Films, the film is also available on iTunes, Amazon Prime and Google Play. In parallel, we also published a unique book: The Raven On The Jetty Production Scrapbook and DVD of the Film. During the making of the film, of course, we made 30 Vlogs about the making of the film and we hope that this total package gives viewers of the film a complete experience of our commitment to quality, thought-provoking independent filmmaking. A first for us this year was commissioning Mark Duggan to make a short film, The Rabbit, based on a screenplay by Erik Knudsen. This was a highly successful collaboration and marks the beginning of One Day Films commissioning work by other independent filmmakers.

Marvo, one of the stars of The Raven On The Jetty

Marvo, one of the stars of Erik Knudsen’s The Raven On The Jetty.

A departure from our usual activities involved Erik Knudsen participating in an unusual project just outside Paris, France. The Dance In Time project is run by one of One Day Film’s company directors and long standing supporter, Paul Clarke, who runs innovative educational and ecological projects across the world. Erik Knudsen joined Paul Clarke and his team at a chateau near Paris, Millement, and Erik was able to contribute to the discussions taking place between a number of prominent Australian educationalists.

Paul Clarke and his organising team at Millement near Paris

Paul Clarke and his organising team at Millement near Paris.

Engaging with the place and its special vibrations at Millement, Paris

Engaging with the place and its special vibrations at Millement, Paris.

During the year Erik Knudsen was able to develop two new projects that we hope to start production work on in 2016. The first is a photographic and film installation entitled Doubt. Final discussions are currently taking place with a gallery in the UK and we hope to make an announcement soon. During 2015, Erik Knudsen also wrote a screenplay for a new feature film – TITLE of FILM PROJECT to be announced soon. We are currently in negotiations with a number of potential partners and we hope to commence production of this film before the end of 2016. More on both these projects will be announced soon.

We are looking forward to bringing you more quality, thought-provoking independent films. We hope that the world in 2016 sees more love and peace. We want to continue making our small contribution to making the world a more spiritually enriched place where love and peace can blossom, one little story at a time.

A tree of life



The Rabbit Soon To Be Released

The Mark Duggan produced and directed film, The Rabbit, for One Day Films, written and executive produced by Erik Knudsen, is due to be released soon. There is a cast and crew preview screening on the 4th October 2015 and shortly after that, you’ll be able to view it here at One Day Films. The Rabbit is a 15 minute film about how a young couple on their way home from visiting one of their parents discover, through a graphic and disturbingly prophetic incident on the road home, that their lives and aspirations have been drifting apart and that the future they thought they might have together is viewed very differently by the two of them. It is an evocative short road movie about the painful dissolution of a relationship.

The Rabbit Poster

In the final Vlog about the making of the film, Erik and Mark reflect on the journey of their collaboration:

The Rabbit is coming soon!



The Raven On The Jetty Released

The Raven On The Jetty Poster

We are very excited to announce the release of Erik Knudsen’s feature film, The Raven On The Jetty. The film is now available:

One Day Films buy button  The Raven On The Jetty on Google Play The Raven On The Jetty Production Scrapbook

 

Other outlets, including Amazon Prime, are being added soon. The Raven On The Jetty will be available in all English speaking territories. There will also be a limited number of theatrical screenings which will be announced shortly. We have developed a unique hand signed and numbered Limited Edition Production Scrapbook and DVD available shortly. The book is the story of the film, scene by scene, told using bits of Erik Knudsen’s storyboard, notes, production stills and stills from the film. Also included is the complete final screenplay and the DVD of the film.

The Raven On The Jetty first started as a concept and idea back in the spring of 2012. Writer and Director, Erik Knudsen, was running a workshop at the Escuela Internacional de Cine y Television in Cuba when he first started to take notes of the ideas and imagery emerging. Soon after returning to the UK, he involved his Assistant Director, Mark Duggan, and co-producer and wife, Janet Knudsen, and soon the ball was rolling. The development of the screenplay, casting and location scouting proved the most important elements early on and the production was very fortunate to encounter a range of very helpful people in Cumbria and the Lake District of England. Casting, too, took place in the Lake District where the vast majority of the film was to be set. After a public call for interested people, the team were able to shortlist and audition 19 boys and parents for the key roles. Erik Knudsen was keen to work with non professionals from the very area the film was set and the range of talents available proved considerable. Connor O’Hara stood out and proved to be perfect for the main part. Following the decision to cast Connor, the team were able to cast Connor O’Hara’s father, Rob O’Hara, to play the lead character’s father. Helen Teasdale was cast as his mother, followed by the casting of Anne Fraser and Anne Lees.

Shooting took place during the Easter holidays in 2013. The whole cast and crew lived in a couple of cottages near the primary locations, allowing for a communal feel to the production process and enabling an efficient way of organising the shoot. It meant that the principal photography only took 2 weeks, in part because the production was blessed with uncharacteristically good weather. Most of the shooting took place near Penrith and around Ullswater in the English Lake District.

The postproduction process took place during the remainder of 2013 and during 2014 the film went to a series of international festivals. These included the Keswick Film Festival, where we were very pleased to be able to premiere the film in the very area where it was shot and in which many of the cast lived. The film went on to a range of other festivals including the Legon Film Event, Ghana, Lucern International Film Festival, Switzerland, Wales International Film Festival, Aberdeen International Film Festival and the Madrid International Film Festival, where the film won the Jury Award.

Uniquely, during the making of The Raven On The Jetty, 30 short documentaries were made about the production process, from early development through to the first cast and crew screening. These Video Blogs are all available to view.

The Raven On The Jetty defies categorisation and sits outside any particular national cinema, or any particular genre. The Raven On The Jetty sits on the crest of a wave Erik Knudsen calls ‘cinema of poverty’, a cinema of thought provoking, independent quality films that defy the normal routines of the established film industry in the UK and that aspire to a cinematic aesthetic that seeks independence and simplicity in an age of abundance and complexity. We hope you enjoy the film.